Watched June 8, 2013
1987
Starring: Melanie Griffith, David Andrews, Ben Johnson, Marshall Bell.
I watched this right after Escape from L.A. and there are several similarities that make the pairing make sense even if the movies themselves don't. They are both futuristic dystopias with a western theme. This one has the added features of romance and robots that are lacking in Escape from L.A. Also Escape from L.A. takes place completely at night while Cherry 2000 mostly takes place in the bright desert daytime.
Sam Treadwell (David Andrews) happily works at a recycling factory and comes home to his perfect wife, Cherry 2000 (Pamela Gidley). She's perfect because she's a robot. She makes him a hamburger dinner, washes his dishes, has sex with him and listens to him complain about his day. They make out on the kitchen floor as the washing machine showers them with sudsy bubbles. The water is too much for Cherry, it causes her to malfunction and she shuts down completely. Sam is distraught and takes her to the local robot repairman, unfortunately the water damage is too extensive and Cherry cannot be fixed. The Cherry 2000 is a rare robot model and very difficult to replace. Sam has his specific Cherry's memory chip on a micro CD ( it looks identical to the micro CD technology used in Escape from L.A.) Sam cannot image replacing Cherry with a different robot model. His work friends take him to a bar to try to have sex with real women. The bar is super awesome futuristic with crazy hair and make up. Hooking up in the future is extra technical where contracts are signed before anything happens. Sam has been out of the scene with his robot for so long that he doesn't have any paperwork about his abilities so all the real women shun him. He decides he has to get a new Cherry 2000, but that requires leaving Anaheim for the lawless wasteland of Nevada.
Sam heads out the wild west wastes of Nevada where he tries to hire a Tracker who will get his robot for him. All the guys at the saloon laugh at him when he says he wants a Cherry 2000, but he is told to find E. Johnson. E. Johnson turns out to be Melanie Griffith, Sam balks at hiring a woman but no one else will take the job. They drive off together to get the job done. This is where it gets pretty crazy but still formulaic. I barely believe that Melanie Griffith could use a gun or track down anything but she is still charming. They drive into the wastelands where trackers are banned, so they are constantly shot at. They have to cross a river at one point and they do so by getting a magnetic crane to pick up their car. Then the car is dropped down a drainage pipe, all while being both shot at and shooting people themselves. E. Johnson pretends to be tough, but there is some instant chemistry with Sam, even though he's a city weenie who's in love with a robot.
They are constantly getting captured then escaping and being shot at by a lot of people but never hit. The abandoned robot factory is in Las Vegas, which has been covered by sand dunes. I don't really understand why the desert is off limits but still protected by this guy Bill (Marshall Bell) and his cronies. They get into the factory and find a Cherry 2000 model, Sam activates her with his specific wife micro CD. They try to escape in the plane that got them there, but it's now too heavy with three people. E. Johnson volunteers to hop out as her job was getting Sam his robo-wife, so she's technically done. At the last minute, Sam realizes that a real woman is so much better than a robot, so he dumps out Cherry and picks up E. Johnson. They fly off into the sunset together. Cherry 2000 is left to rust in the desert, but finds Bill's girlfriend who offers her a sandwich that she doesn't understand.
I'm not sure if I would have cast Melanie Griffith in an action role, but she manages to pull it off fairly well. The plot is minimal so you know what will happen by the end, but they definitely fill every possible minute with crazy action even if it is nonsense. There are some intentional jokes along the way, so you're not supposed to take it too seriously. I would recommend it just for the bar scenes because everyone is dressed so awesomely.
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